Josh Kerr isn’t just fast—he’s thoughtful. That’s what makes building Grand Slam Track so special. It’s not just a race recap. It’s a portrait of discipline, endurance, and what it takes to win when the whole world expects it of you.

I didn’t shoot this. I shaped it. Josh and his team sent over terabytes of footage—Kingston, Miami, Philly. Training camps, interviews, trackside moments. And I had to make it sing. No voiceover. Just his rhythm. His breath. His world.

Editing became an act of intimacy. Each beat, each cut, had to feel like it belonged. We built chapters around motion. Used silence to make space for emotion. It’s the kind of work that reminds you: storytelling doesn’t start with the camera. It starts in the timeline.